Darkie Day (Part 14): The Kwanzaa Connection

Inevitably, European and African customs intermingled on the plantations of the British West Indies and the American South.

Slaves were allowed time off over Christmas, and they celebrated with processions centred on the towering figure of "John Canoe" or "Jonkonnu"—a man in a tall mask and outlandish clothes.

"John Canoe" may have been a corruption of an African word for "witch doctor", but many celebrations also featured quotes from Shakespeare or characters from European mumming plays.

Sometimes John Canoe and his followers would dress in rags and animal skins; other times, they would poke fun at their masters by wearing fancy European dress—and white makeup with pink Caucasian features.

Jonkonnu extravaganzas still take place in Jamaica and the Bahamas around Christmas and New Year's, though they died out in America after the Civil War.

Meanwhile, Kwanzaa, the US holiday invented during the Black Power movement of the 1960s, runs from December 26th until January 1st, supposedly taking its inspiration from "first-fruits celebrations in ancient Africa".

Ironically, though, it coincides precisely with the beginning and end of Padstow's Darkie Days.


In our era, minstrel singers from Jim Crow to Al Jolson tend to be tarred with the same "racist" brush, but connoisseurs increasingly divide minstrelsy into two eras.

As with many creative genres, they distinguish between the movement's pioneers—who often bucked society's norms—and the opportunists who followed, cashing in on the craze by pandering to people's expectations.

Whereas the upper classes viewed Jim Crow and Zip Coon essentially as "niggers" good for a laugh, working-class folks seemed to think they weren't that different from themselves.

The low-rent neighbourhoods of New York and other Northern cities were surprisingly integrated, with whites and blacks singing "Jim Crow" and "Zip Coon" as part of their shared street culture (not unlike rap and hip hop today, which are also notorious for their use of the "n-word").

Paradoxically, both Rice and Dixon spoke out against slavery as their alter egos. After returning to America from his first trip to Britain, which had abolished slavery a few years earlier, Rice added a new verse to "Jim Crow":

De country for me
Is de country whar de people
Hab make poor nigga free.

Given this stance, it's more than a little ironic that the term "Jim Crow" is now most commonly associated with racial segregation laws in the American South.
©J.R. Daeschner

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